The Selfish Giant

Every afternoon, as the children were coming back from school, they used to go and play in the giant's garden.

It was a beautiful large garden. Beautiful flowers grew in the grass. There were twelve fruit trees. In the spring the fruit trees were covered with red and white flowers, and later in the year they bore rich fruit. The birds sang in the trees so sweetly that sometimes the children stopped their games and listened to them. "How happy we are here!" they cried to each other.
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One day the giant came back. He had been away for seven years. When he arrived, he saw the children playing in his garden. "What are you doing here?" he cried in a very loud voice. The children ran away.

"My own garden is my own garden," said the giant. "I will allow no one to play in it but myself. "So he built a high wall round it and put up a notice: Keep out. He was a very selfish giant.
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So the children had nowhere to play. They tried to play on the road, but the road was dusty and full of hard stone, and they did not like it. They wandered round the high walls when their lessons were finished and talked about the beautiful garden inside. "How happy we were there!" they said to each other.

The spring came, and there were flowers and little birds all over the country. But in the garden of the Selfish Giant it was till winter the birds did not like to sing in it because there were no children, and the trees forgot to bear flowers. Snow covered up the grass, and ice covered all the trees with silver. The north wind came, and driving rain.
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"I can't understand why the spring is so late in coming," said the Selfish Giant as he sat at the window of his house and looked out at his cold white garden. "I hope that there will be a change in the weather."

But the spring never came, nor the summer. When there was golden fruit in every other garden, there was no fruit in the the giant's garden. It was always winter there with the north wind, and snow, and ice, and driving rain.

The giant was lying in bed one morning when he heard some beautiful music. It was a little bird singing outside his window. It was so long since he had heard the song of a bird that it seemed to him the most beautiful music in the world. Then the north wind and the rain stopped.
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"I believe that spring has come at last!" said the giant. He jumped out of bed and looked out.

What did he see?

He saw a most wonderful sight. The children had come in though a hole in the wall and were sitting in the branches of the trees. There was a little child in every tree that he could see. The trees were so glad to have the children back that they had covered themselves with flowers: the birds were flying about and singing with joy, and flowers were looking up through the green grass.

A little boy was standing in the farthest corner of the garden. He was so small that he could not reach up to the branches of the tree, but was wandering round it and weeping. That tree was still covered with ice and snow.replica watches,

"How selfish I have been!" said the giant. "Now I know why the spring would not come here. I'll put the little boy on the top of the tree. Then I'll pull down the wall and my garden shall be a children's playground for ever." He was really sorry for what he had done.

So he went down: he opened the door very quietly, and went out into the garden. But, when the children saw him, they were afraid and ran away. Only the little boy did not run: his eyes were so full of tears that he did not see the giant coming. The giant came quietly behind him. He took the little boy gently in his hand and put him up into the tree. Then the tree was suddenly covered with flowers, and the birds came
The Selfish Giant
and sang in it, and the little boy put his arms round the giant's neck and kissed him.

"You must tell him to come tomorrow, he must come tomorrow." "We don't know where he lives. We had never seen him before." The giant felt very sad.
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Every afternoon when school ended, the children came and played with the giant. But the little boy whom the giant loved was never seen again. The giant was very kind to all the children, but he did want to see his first little friend. "How much I would like to see him!" he said.

The Selfish Giant

　　 History examines the manifestations of man's free will in connection with the external world in time and in dependence on cause, that is, it defines this freedom by the laws of reason, and so history is a science only in so far as this free will is defined by those laws.
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　　The recognition of man's free will as something capable of influencing historical events, that is, as not subject to laws, is the same for history as the recognition of a free force moving the heavenly bodies would be for astronomy.
　　That assumption would destroy the possibility of the existence of laws, that is, of any science whatever. If there is even a single body moving freely, then the laws of Kepler and Newton are negatived and no conception of the movement of the heavenly bodies any longer exists. If any single action is due to free will, then not a single historical law can exist, nor any conception of historical events.
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　　For history, lines exist of the movement of human wills, one end of which is hidden in the unknown but at the other end of which a consciousness of man's will in the present moves in space, time, and dependence on cause.
　　The more this field of motion spreads out before our eyes, the more evident are the laws of that movement. To discover and define those laws is the problem of history.
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　　From the standpoint from which the science of history now regards its subject on the path it now follows, seeking the causes of events in man's freewill, a scientific enunciation of those laws is impossible, for however man's free will may be restricted, as soon as we recognize it as a force not subject to law, the existence of law becomes impossible.
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　　Only by reducing this element of free will to the infinitesimal, that is, by regarding it as an infinitely small quantity, can we convince ourselves of the absolute inaccessibility of the causes, and then instead of seeking causes, history will take the discovery of laws as its problem.
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　　The search for these laws has long been begun and the new methods of thought which history must adopt are being worked out simultaneously with the self-destruction toward which- ever dissecting and dissecting the causes of phenomena- the old method of history is moving.
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　　All human sciences have traveled along that path. Arriving at infinitesimals, mathematics, the most exact of sciences, abandons the process of analysis and enters on the new process of the integration of unknown, infinitely small, quantities. Abandoning the conception of cause, mathematics seeks law, that is, the property common to all unknown, infinitely small, elements.
　　In another form but along the same path of reflection the other sciences have proceeded. When Newton enunciated the law of gravity he did not say that the sun or the earth had a property of attraction; he said that all bodies from the largest to the smallest have the property of attracting one another, that is, leaving aside the question of the cause of the movement of the bodies, he expressed the property common to all bodies from the infinitely large to the infinitely small. The same is done by the natural sciences: leaving aside the question of cause, they seek for laws. History stands on the same path. And if history has for its object the study of the movement of the nations and of humanity and not the narration of episodes in the lives of individuals, it too, setting aside the conception of cause, should seek the laws common to all the inseparably interconnected infinitesimal elements of free will.

I'm not "saving" anything; we use our good china and crystal for every special. Event such as losing a pound, getting the sink unstopped, the first camellia blossom… I wear my good blazer to the market if I feel like it. My theory is if I look prosperous, I can shell out $28. 49 for one small bag of groceries without wincing. I'm not saving my good perfume for special parties; clerks in hardware stores and tellers in banks have noses that function as well as my party going friends.
"Someday" and "one of these days" are losing their grip on my vocabulary. If it's worth seeing or hearing or doing, I want to see and hear and do it now. I' m not sure what my sister would've done had she know that she wouldn't be here for the tomorrow we all take for granted.

Iris Apfel 88-year-old fashion icon.5 years ago, the New York Metropolitan Museum of Art wanted to borrow some of her jewelry to be displayed, taking into account matching, the way they want to borrow a few items of clothing. "What have you clothes?" These words opened a Pandora's casket. "They have a search of my family all of the wardrobe, box, drawer, as well as cabinet tops and bed while exclaimed as he pulled out endless clothes. We had to put all the furniture pushed to one end of the room, went to bought 10 racks, only sort out everything. "she said.
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In 2005, Iris Apfel dress collection fashion show in New York shocked were then moved around the world on display. Today, the wearing oversized Yuan Jing, who hung the image of exotic jewelry has long been deeply rooted among the fashionable woman. Nevertheless, the exhibition began, witnessed is so legendary and ultra-realistic colorful costumes, many visitors are the default owner of the clothing had been dead.
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Iris Apfel getting along fine so far. 88-year-old young girl she was, like, like visiting the Topshop, wearing Levi's jeans, to see cheap clothes, try do not try to buy a home, "if it does not fit, put the pillow made them." She refused to admit what is Collection home, her impulse to want to buy not picky 12-year-old began to buy their own clothes, bought more than 70 years, naturally became a pair of like.
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She is an excellent interior designers, for many years co-operated with her husband, an antique textile design company, from the 1950s onwards, she was all over the world search for antique fabrics, novelty apparel fashion seen along the way, regardless of equal status, all revenues that capsule in. Her factory in Tunisia to buy Pierre Cardin jeans, looking for antique imitation Chanel jewelry artisan jewelry, to high fashion houses like to buy clothing ... ... the lucky woman's brain there is no "luxury" concept, and now she has been " can not afford a "clothes and anxious - in her view, 1 million dollar dress and 700 bags were too expensive.
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Q: When did you start your collection from the fashion? A: The so-called collections, in fact my own wardrobe. I was 12 years old began to buy their own clothes, from the high school until now, my body size is almost unchanged. My waist is not fat, but my wardrobe has been inflated. I kept the clothes donated to charity and save shops, but you can not put those chic and high-level set to hand over uniforms of people, unless it is dedicated to the New York Metropolitan Museum of Art.
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Q: You have countless jewelry, they are the real thing do? A: Most are man-made, a few are true, there are 18th century antiques, there are plastic bargain. Bought many years ago, the earliest is the 1930's Greenwich Village, then in London, Brussels, Paris, shops and flea markets, Istanbul, Cairo, Tunisia, open-air market. In the 1950s, because the working relationship I often went to Paris, to get to know people like Gripoix and Roger Jean-Pierre Paris, such as jewelry maker, for their Chanel, YSL, Balenciaga, Givenchy and other brands produced artificial jewelery. I give them an antique jewelry photographs or sketches, ask them to copy one will buy their jewelry designs. I'm really not interested in jewelry, they are beautiful is very valuable, but I can not afford. I think the fake jewelry but even more fun and more drama.

Iris Apfel 88-year-old fashion icon 2
Q: Color is very important to you, right? A: Yes. But I like the gray, pearl color and charcoal color. Tibet's past, I love a gray lamb coat, because at that time my hair is gray, and put on, I've been and clothing integration of the. I always wear black and white color, very lively and light. Color respect, I love all kinds of blue green and red. I am not interested in pastel colors, feeling too weak.
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Q: What is your favorite designer who is? What often wear the brand? A: My good friend Ralph Rucci. I also like Gianfranco Ferré, GeoffreyBeene, Galanos and Norell, they all follow the tradition of fine tailoring, attention to detail. I like the looks very simple, but very complex, very architectural feel of the clothes, and sometimes, these clothes look more beautiful than the internal. I like the humor of the clothing, such as Moschino, Jean Paul Gaultier, Dolce & Gabbana and Krizia. I never wear Chanel, though I feel that others are wearing very pretty.
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Q: I heard that you are very much like to wear jeans? A: I like men's jeans, because I wear a very fit. I have many Levi's, are also frequented places like Target to buy jeans. So far, I still can not quite willing to buy a pair of jeans for more than 15 U.S. dollars.
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Q: Your dress collection fashion show after the sensational, is not a lot of work and invited her door? A: all kinds of things that have come, there is an Indian singer asked me to star in her MV, Lindsay Lohan would like to hire me as a stylist, Ralph Lauren for me after watching the exhibition, said: "I want to come work here do?" "Vogue" me, asked him to, there are several people asked me a book. I have countless times on television around the world, countless times to be interviewed, received a lot of fan mail. I do not believe, why I had the retirement age, but it will happen!
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Q: You never considered in the fashion industry job? A: In fact, my first job was in the "Women's Wear Daily" When the feeder member did for several months. This work for me to become very slim, since He walked the stairs all day. But I soon realized that he could not account for was a place where, because all the editors are middle-aged women, they die of old age is also from the early, too late pregnant again, so I have no chance. After I left and lived through all sorts of adventures and eventually became an interior designer.
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Q: In your opinion, the older woman's most stylish of the avoidable errors that? A: We are all trying so hard to look younger. Coco Chanel once said, trying desperately to play the young and old will only make women even more. Why ashamed to admit that they have 88-year-old, non-Yaogen people say you only 52 years old? No one will believe you can face the whole, but his hands still very frightening. Why should such a fool when? I think, can live to such old and is also a blessing ah.

CHANEL 2010 Spring & Summer clothing series of show grounds, filled with a strong rural flavor. Charming and elegant this season in order to match dress, Chanel creative director of the Global Make-Up - Peter Phillips Peter Philips has designed this set of elegant and extremely feminine tattoo stickers, just like in the jewelry fit the skin, so that models gestures exude boundless beauty.
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This stylish and poetic tattoo stickers very clever use of a number of Chanel's signature elements, such as pearls, string of chain, wheat, and to represent the coming of spring flower clusters, and the swallows - leather string chains caught in a delicate thin the wrist, or skirt swaying, the garter vaguely, if significant; elegant turned legs the back of a large bunch of flower clusters have added a touch of decorative garden style, string of pearls chain, so that the skin feeling shiny and slender legs; Swallows The design inspired by Chanel's apartment in ebony lacquer screen - two swallows a long string dangling from chains, outlines in the neck at Smart beautifully decorated.
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Into the show field background, Chanel creative director of global makeup Peter Philips Peter Phillips, says, "a few months ago, Carl told me that he wanted to try to show the use of a field as to make up tattoo a part of. So, I have chosen the classic Chanel logo - pearl, leather wear chain, wheat, and to represent the coming of spring flower clusters and the swallows, with both the popular and elegant way, but losing in the model painted in different locations on the body tattoos, looked chic and sexy, so it all looks are full of festive atmosphere of gaiety, but also for the overall shape to increase a little bit rebellious taste.
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Tattoo stickers show field will be in April at the Chanel boutiques nationwide, as well as five town Isetan Shanghai Meilong limited make-up studio on sale at the retail price of 500 yuan / 1 group, 5. Please play an artistic creation, or multi-level string chain "stacked wearing", or free combination of different totem easily have their own personalized Tattoo Bar.
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